Posts Tagged ‘Character’

Any of you remember that Brandon Sanderson guy, the man who completed Robert Jordan’s “wheel of Time” as well as being a award winning author in his own right(Also I reviewed his other book last Tuesday). You may also find it interesting that he’s been diving into writing short stories of late.

Which is what we’re talking about today, Brandon Sanderson’s “The Emperor’s Soul”


A book about magical Asians. 

Synopsis

“The Emperor’s Soul” primarily follows the story of  Shai, which is short for something entirely to long for me to care about typing out. The story starts with Shai having been caught and sent to prison for trying to steal ancient relics and replace them with forgeries. The gimmick being that these forgeries aren’t naturally reproduced but instead created with magical seals that rewrite the history of an object turning into something else.

It’s then revealed to Shai that she can be pardoned for her crimes if she can use the same magic that can recreate art to recreate the soul of the Emperor who had recently been attacked and nearly killed by assassins. The catch being that Shai only has 98 days to complete her task before the Emperor is presumed dead and her along with him.

If that seems complicated, it’s because it is. Don’t worry about it to much though Sanderson pulls you into the mess that he’s shoved his characters in rather gently.

Review

One of the things I’m beginning to note about Sanderson is that he’s one of the better character writers out there. His dialogue between his protagonists, his antagonist and the characters that sit in between is some of the best I’ve ever read. Which is incredibly important for this book considering Sanderson locks most of the major characters in the same room together for the majority of the Story.


Who need sweeping landscapes when you can have walls.

Shai and her mentor/antagonist go round and round trying to figure each other out and never truly coming to grips with the other while the other less effective antagonist try to manipulate Shai often to a comical effect as they underestimate Shai who is setting her own logical traps. The book only starts to come up short when it runs it’s action scenes which mess with pacing of the books and feel out of place watching what so far has been a game of chess turn into a game of street fighter.


Ryu to G7, King me!

However to Sanderson’s credit the he builds up to the action scene well and while it’s a major change in the style of the story it’s not something that hits you out of nowhere and is sparsed with some nice dialogues and internal monologues  to break up the action. On top of that Sanderson fills the world with a compelling magic system as well as effective world building which makes all of the story flow easily without pulling you out of the story everytime the concept of foraging a man’s soul comes up.

Bottom Line

The books is fast paced, short and a blast to read, and considering you buy this in E-book format which can be put on your phone or other mobile device you can finish the book in a day easily. In short this short book is good, go buy it.

This week we’re reviewing a fantasy western about a butler turned god and a lawman turned noble. Also known as Brandon Sanderson’s The Alloy of Law.


Because cowboys and demi-gods didn’t have the same ring.

Synopsis

    The Alloy of law is an off shoot of Sanderson’s Mistborn series and is set about 300 years after Hero of Ages. The Alloy of Law tells the Story of Waxillium Ladrian, better know as Wax. Wax is what is referred to in-universe as Twin Born, meaning that through a combination of superpowers he inherited from his parents genes he can alter his weight and push most metal with his mind. Wax starts the story as a lawman searching for a serial killer and through a singularly unfortunate event turns in his badge and moves to the big city to take over the estate of his deceased relative whom left everything to Wax. The story then goes through his struggle to try and manage his new life as the head of a noble house as well as putting his life as a lawman behind him. Of course things don’t go as planned and Wax is forced into a new mystery that involves metal, women and magic.


Like this but with more magical acrobatics.

Review

Characters

I’ve mentioned before that I believe that Sanderson is one of the best character writers in the business today, and The Alloy of Law attests to that assertion, Sanderson fills his novella with a plethora of interesting characters. Wax being this weird combination of city born noble turned lawman leads to people in the rough calling him either refined or a dandy, while people in the city look at him as mysterious cowboy or an unsophisticated brute. His partner is a wise cracking reformed criminal who can speed up time and talk his way out of most situations, whilst the female lead is a nerd with a bit of kickass and dash genius thrown in for good measure. With The central antagonist being a immortal charismatic ex-lawman.

The only problem I had with the Characters, was with Wax, the protagonist. Wax spends most of the story swung between extremes of being noble and being lawman, which is one of the major conflicts in the books first act. The problem is that after every other chapter Wax seems to become a different person, after one chapter he becomes a metallurgist seemingly out of nowhere. Sanderson went big with multiple POVs in a novella, sometimes even multiple within a chapter. Unfortunately this left Wax feeling a little disjointed in a few scenes. The nice thing to note is that these scenes are short and don’t cause to much of a stumbling block for the reader.

Setting

For those of you new to Scadrial, the fictional land that the Mistborn series takes place in you’ll be happy to know that you won’t have to read the rest of the books to understand whats what. Thanks to some spoilers that I won’t reveal happening in The Hero of Ages.

Scadrial now features a new wild western styled “roughs” as well as some lush green plains and a large skyscraper buildings in a city called Elendel. Sanderson does a good job introducing these new environments and over the course of whats is a very short book, makes the world feel very large.

Sanderson’s series has always featured unique fantasy environment and The Alloy of Law hold true to that, replacing kingdoms and empires with republics and industrialization making for a rather different kind of story then most fantasy reader’s are used to while keeping the feel that Mistborn fan’s enjoyed. The only problem that came up was that the setting seemed to be a step down, from the Scadrial of Original Mistborn Trilogy. Luthadel was just as much Character as Vin or the Lord Ruler, it was a living breathing organism playing the parts of both the antagonist and the protagonist. The same could be said for all of the locations of in Sanderson’s earlier books albeit a bit less prominently. Elendel and the roughs are great locations, but that’s all they are.

Though it might be fair to lay blame at the constrictions of the novella, a story of this size just doesn’t get to have the feeling of a large sweeping world and  be a world with great depth. Perhaps with future novels and novellas Sanderson will bring back that feeling of a deep, evolving magical world.


Not that kind of magic.

Plot

The plot is a hard thing to review without giving out to many spoilers, I can however safely say that the plot of this novella is engaging and fun to read, With the main plot being rather straight forward, the romantic subplot being welcome even if it’s not great and with a couple of twists thrown in for good measure. On top of that the main arc for the protagonist Wax is well thought out and excellently executed. Overall Sanderson has crafted and enjoyable story to follow. Also two guys fight on top of a train.


Like this, but with 20% more magic.

Accessibility

One thing that any offshoot needs to be able to handle is accessibility, not every one who reads The Alloy of law is going to have read MistBorn series. That being said, Sanderson dumps new readers right into his world, explaining things as they come to the readers attention. It was actually interesting to read after heaving read the previous series, it’s obvious that Sanderson is expecting new readers with this book and he helping pull them in as well as inform them. His exposition works well and never hurts the pacing or the dialogue. What I did notice is that this book makes several references to it’s predecessors, and while I can’t say for sure but, I’d imagine that it would seem out of place for these random things to keep popping up that would seem to have little relevance to the actual story. However for those who have read it’s nice to see that the worlds hasn’t forgotten the events of the last three hundred years entirely.

Bottom line

Sanderson has built an enjoyable novel with strong pacing , unique concepts, well thought out characters set in an expansive world with and an entertaining story that promises future installments. The downsides is that the novella has a packed a lot of history into it’self which will be alien to any new readers as well as having a main character who doesn’t truly feel solid instead bouncing between multiple personalities(Though I’m sure many will argue thats is the point of Wax’s character). Returning readers will be glad to see that world Sanderson left it not one that simply lived happily ever after, instead they be able to see the Scadrial is dynamic, ever changing, generating new stories and always having another secret.

With the paperback and the E-book squaring out at $8 USD, the story is well worth the price of admission and advise anyone who enjoys a good fantasy book to give it a try.

The last time I wrote a character focus it was about a villain you could respect, maybe even love. This time were going to focus on a much different kind of character, one who get’s slapped around by a dwarf, one who let’s his sword be stolen by a little girl, on who hides behind his mothers skirts. This weeks Character Focus presents none other than Joffrey Baratheon.


May the Others take him.

For those of you who don’t know, Joffery Baratheon is one of the major antagonist in George R.R. Martin’s A Song of Ice and Fire series,  for those of you who haven’t read the books I need to post some quite obvious spoiler warnings

spoilers Ahead

That ought to work, now down to business. Joff is signigficantly different then most  characters and even villains that you read about these days, mostly because he’s a intolerable twat. Most writer’s resources will tell you that your villains need to be deep and likable in one way or another, Joff however stands out as being as deep as dry lake bed and only being slightly well like more the AIDs and yet the character serves his purpose quite well and while I may never like Joff, I always have some sort of emotional response to his scenes, albeit it’s mostly hate, mixed with some disgust. So how do we emulate such response from our readers regarding our dastardly villains?

Threat: somebody is going to die

Martin is well know as an author who loses little sleep from killing beloved characters, and when Joffery takes center stage that threat becomes overbearing, When ever he has scene the tension jumps dramatically simply because of the characters reputation. In the TV show Game of Thrones, Joff has Ned Stark beheaded even though his mother and all of his councilors had planned to spare him. In the Show this is done in the middle of a courtyard, but in the books it’s done in the middle of a temple so that everybody got the idea that this was to be a pardoning not an execution. Joff made short work of that and the started off on his own blody rain of death and brutality.

plotting: The best laid plans…

Outside of fits of violence the boy king can be counted on to make bad decisions,  which act as boon to enemies and torment to his family. In book series like A Song of  Ice and Fire which follows characters from every side of the central conflict, you have to juggle success and failure vary carefully, because for evert victory a pov character has counts as failure on another, let one person grow to strong and the book becomes one sided. Joffery helps balance out the successes of his compatriots who normally wouldn’t make such foolish mistakes, and forces them to work around Joffery’s madness.

Foils: Making Men out of monsters

For those of you who aren’t in the know, a dramatic foil(just foil for short) is when a pair of characters are paired together to make there traits stand out, often done in a simple fashion to make strong characters look stronger and make smart characters to look smarter. However a foil can be used for far more the exemplifying simple traits, it can be used to muffle them as well  take Joffery’s loyal hound Sandor Clegane, who spends most of his time drinking, killing, and the drinking some more. Yet in moments when he, Sansa are together, the reader has to pause and really think about whether or not Sandor is all that bad of guy. Joff has a similar affect on everybody around him, by the nature of being the most monstrously hated character in the room, everybody else looks like better person for it.

 
“I may have started a war that killed million and committed acts of genocide, but at least I never laid a hand on Sansa Stark”- Hitler

Joffery is going to go down as one of the most hated characters in the history of American fiction, he’s craven, crule, incompotent, he’s everything that writers are told to avoid, but leave it to writer like Martin to pull off such a character in such a splendid fashion, and let it be reminder to other writers out there that at the end of the day, write the characters you want to write, write the characters you need to write and don’t let any other writer tell you otherwise even if that writing leads to little incestful balls of hatred and abomination so evil that Dalek wouldn’t touch it with a ten foot pole.

Breaking the Bat

Posted: September 24, 2012 in Character Focus
Tags: , , , , ,

Nolan left his mark on the world in the last half decade by producing a reimagined Batman, one that held the dark roots that had become it’s staple but stripped it of it’s comic book elements and instead went for a more realistic world that previous Batman movies had avoided. What came about in the process was some of the best characters to ever grace the silver screen, and possibly more the entirety of batman continuity. So without further adieu, I present to you the man who broke the Bat.


Now is not the time for jokes, that comes later.

Introductions: show us the man

Those first few moments, the first bit of dialogue, those first five lines are often the make or break point of a character, and they can tell you exactly what level of writer you’er dealing with whether it’s a film, a game or a novel. Nolan introduces Bane as a man who competent, intelligent, physically powerful and incredibly charismatic. Within five minutes of being introduced, he verbally spares with a CIA agent, breaks free of handcuffs, crashes the plane he currently in with one of his own men willing to die in the wreckage. It was beautiful, It not only told us about what Bane could do, but it also painted him in light that made viewer want root for him, it left the audience for the next scene Bane would show up in.

For all the aspiring writers out there, take note of this, especially for the characters whoa aren’t going to be getting the same kind of face time as your antagonist, if it’s going to be twenty pages before the reader here’s or see about your villain, if this supporting character isn’t going to show up in the film for another thirty minutes then leave the audience with a strong impression on just who and what this character is and about. Find out what you character is, and then give them a brief moment to flex, this ins’t the time for subtly, that comes later.

The same joke twice? Your punishment must be more severe 

Competence: Give him something to do

One of the better qualities of Nolan’s villains is that they’re not sit in a chair and stroke a cat kind of guys. They get out there get out there and get things done. We like Bane partly because he can take care of business himself, Nolan wrote him to be competent and so when Bane shows up on screen things go his way, making everyone else including Batman look inept. But it’s not just that, it’s the fact that Bane plays a part in his schemes his he is not a hidden villain who sends out lackey’s or one to manipulates things from the shadows. Now that’s not to say your character has to walk across the screen and punch Batman to make him popular. Well loved characters from other franchises and mediums often show their badassery in their subtly, take Vary’s or Little Finger from the George R.R. Martin’s Song of Ice and Fire series, both are characters who work primarily behind the scenes of the actual novels plying their trade. But when they show up on the page, They’re doing important or interesting things that give the sense that guys are competent, capable and action oriented.

The point for our writers to take home is that when you have your man on screen, he needs to be doing something, he needs to be proactive and he needs to be competent. Nobody want to read or watch a character sip tea and powder their face.


Sorry Vary’s you’ll have to do that before you show up

Originality: Be Different

A lot of things make Bane and interesting character, he’s smart, he’s capable, but I think what really set’s him apart was his voice, and the personality that came with it. He’s different from anything Nolan had created before, and most of that difference comes from his presentation, much like the Joker prior, people love Nolan’s because he’s unlike any Bane before him. He’s new, which in most media is hard to do, especially for character that had extensive use and large history before Nolan even thought about him. But Nolan was able to take and make him different. A great deal of this comes from both Hardy the actor who portrayed Bane and the writers who penned his lines as well as Nolan directing. But the truth of it is that they came together and made something old, new again. Thats a key component of writing, taking the things that you love and re-imagining them and writing them in your own style. So the next time your writing for your characters on page make sure they stand out from other characters in your story as as stand out among other characters period. So the next time you magnificent bastard shows up, as what makes him better or different then the ten thousand that have come before him, and if you can’t find a good reason then you may need to give him another once over.


When all of your characters are properly developed, then you have my permission to write

A good introduction, a good display of action and a great sense of originality are just a few of the things that make Bane an amazing character, but without them he would have been left inept and forgotten. So if your future efforts has a character reminiscent of Bane gracing the pages, make sure you know why he was such a success in the first place.

The Archetype has come together with Nightmares of a writer to produce a podcast with a mutual friend of ours. We covered multiple games, time travel, history and superpowers. If these things interest you click here and give us a listen.

 

One of the things I’ve struggled with as novice writer is defining what makes my characters awesome, what makes them interesting what makes the reader say “I could read 1000 pages about this guy and his group of rebels.” When I started out I wrote high pace action scenes and fights scenes one after another thinking these were the things that made my lead interesting. It wasn’t until I let a friend of mine read over my manuscript and tell me my fight scenes sucked. More importantly  in my review I found they weren’t interesting, they didn’t add anything to the protagonist’s character outside of the fact that he could hit people, really, really hard.

The Hulk has more character depth

What I learned from the experience was that what I was writing not what made the character and the story interesting.  However my friend was able to help me point out what was interesting, a scene prior to a fight with the protagonist analyzing the area before the battle. Afterwords I went back through my manuscript cutting most  of the major fight scenes that had dotted the book and shuffled others off screen. It helped clean up the pacing, but more importantly it gave my lead some much needed characterization and gave me a chance write more interesting scenes.

Mat Nix covered much of the same sentiment in a interview for his hit TV show Burn Notice, whose lead character Micheal Weston stars as a “Burned”(read fired) spy trying to figure out why he was burned and get his job back. The show features high speed chases, fight scenes, explosions, gun battles and romance but what really makes the show interesting is Weston’s unique approach to creative problem solving. Over the course of several episodes Weston mails a pipe bomb to his old boss, uses power tools and turpentine to disable a car full of gangsters, and convinces several really nasty people to shoot several other really nasty people. Nix picked up on this and was able to write his characters in situations that allowed their creative problem solving to flourish.

so you’re telling me this is all because they stole your yogurt.

If your still trying to figure out where this means for you, It means that if you want your characters to be interesting, then you have to give them the opportunity to do interesting things and then write them doing them. For my lead it was planning out every move in a fight the night before the fight happened, for Weston it was cutting a hole in the ceiling of a office building to steal data from there computers. But these examples don’t just apply to novel and script witting. Games and movies require this kind of writing to keep the audience sticking around, to better show you what I mean I’ve added a couple of examples from different mediums in fiction.

Gaming

let’s start with gaming, with it’s unique experience that other forms of media can’t deliver on. Gaming has evolved from the simple days of pong and text based adventure games into a variety of massive interactive experiences with as many genres and styles as any other form of art. But gaming stands on the same rule as any other form of fiction, it has to be interesting, games like the Elder Scrolls series draw people into a massive worlds full of history and details that can keep their audience entertained for days. When the games are good their quest lines immerse you in the story by giving you the hands on opportunity to be the hero that you normally only get to read in books and watch in movies. When the quests are done bad they have you trek half way across their massive world to pick up a sword only to bring it back to where you started. In gaming the audience plays the lead and it’s up to the game designer to give the players something interesting to do that compliments the leads skill set and character. If you’re planning on creating a game that offers the player the ability to spit fire and eat lighting don’t waste his time by making him bake a pie.

Even if that pie is made with Mammoth meat

Movies

Script writing for movies follows a lot of the same rules that you’d find for scripts in television, the notable difference is time constraint and cash concerns, however one thing that is often overlooked is the fact the a Movie get’s one shot at getting it right. One bad episode isn’t likely to sink a popular TV series, but movies only get one shot and a box office flop often kills plans for future installments. That’s why we see most major budget movies playing it safe sticking to the same story arcs and formulas that produce movies that people will go and see instead of searching for new and interesting scripts. So if you plan on having your script actually being shown on the big screen it can’t afford to waste time on things that aren’t what make it great.

The Movie that stands most recently for having interesting character doing interesting things is Marvel Studious Avengers, Marvel knew going into that movie that each character had been developed in there previous movies, they had all gone through their major character arcs and came out as better people. All they had to do in finale of their nearly decade long project was to shove everybody together and give them a chance do the things we loved watching them do again, Hulk smashed, Tony shot his mouth off, Capt threw his shield, Thor shot lighting, Natasha reverse interrogated a god  and Hawkey… what exactly was Hawk-eye doing again?

Staring at Scarlet Johansson apparently

The Avenger’s while not having had a complicated or stellar narrative, with only Banner having a decent character arc and Loki making for a modest villain compared to his role in Thor, was a resounding success that relied almost entirely on their interesting scenes. The most prominent ideas being “let’s have Hulk punch something big” and “let’s have hulk punch a god, no wait two gods.”

Comics

Comics have a weird combination of episodic structure and narrative perspective, all while being set in a kid’s picture book style. What that means is that comics can get that tightly contained narrative that short stories and TV shows thrive on. While producing the epic imagery that movies tend to require with the dialogue and perspective that good novels live or die by. Comics tend to be the jack of all trades and masters of none in the world of fiction, and the authors usually play this up, offering an inside view of characters’ thoughts and illustrating interesting scenes to draw the reader in. One of the best comics to display comics’ unique perspective on fiction is Alan Moore’s Watchmen, Moore was able to make the characters in his stories interesting by combining narrative perspective with impressive visuals to produce memorable scenes. Scenes like Rorschach fighting off cops with matches and hairspray or the antagonist’s scheme which I will not spoil for those who have yet to read the comic.

This is laid in contrast with the new Before Watchmen limited series which is set as a prequel to Moore’s series. While not all of the comics are wholly bad, none of them stand up to Moore’s writing. One notable comic however is bad enough to get mentioned as the example of how you can go wrong, the issue introduces the new Silk Specter who is being trained to replace her mother as  the current Specter. What could have been a classic comic that could have shown the difficulties of trying to balance the life of a superhero with the life of a teenage girl who’s trying to find her own way in the world. The writers however forgo this and instead decides to follow how the new Specter as she is picked on by the popular girls at her school and how she falls in love with the school’s top jock. With only a few interesting visual scenes drawn and even less interesting perspectives used the comic really just ends up being a more of a teenage soap opera as opposed to superhero origin story.

You can read this or you can read about a sixteen year old girl who complains about her mom.

Regardless of what medium you use for your fiction, whether it’s games or comics, fantasy or sci-fi, romance or thriller, you need to let your characters shine, cut back on the unnecessary and pile on the interesting. Whether that means your audience is going to be reading about how a master assassin hunts down and murders all of his girlfriend’s prior love interests or if they get to watch your costumed superhero  punch reality, find out what makes your characters shine and then polish them till they’re gold.  Just don’t make us read about how Batman and Robin comically try to cook scrambled eggs without Alfred’s help when we could be reading about how Batman foiled the Jokers latest scheme to turn the moon into cheese.

Ever wake up in the morning and think, “Man I hate people.”  If so you’re well on your way to being a Jerk, if you’ve actually worked up the vitriol to actually tell people you hate then; and I hate to be the one to tell you this, but you are a jerk. Other symptoms to watch for include but are not limited to:

Anger
Snark
Greed
Arrogance
Lack of patience
Aggressive or passive aggressive behavior
And a general disregard for the safety and feelings of others(not to be confused with apathy towards others though it may apply as well)

What’s that? My foot up your ass you say, well okay.

The Jerk is an interesting and old character easily older then Shakespeare whom has several prominent Jerks in his works . The Jerk has survived through the generations as other characters and tropes faded into the ages, the question is, Why? Why do we love these people in media when every time you meet one in real life you have to  hold your self back from pushing them into oncoming traffic. Though truth be told there are plenty of discussions and pseudo philosophical debates as to why people like watching these characters, so instead let’s look at how to make our fictional Jerks awesome.

Skills

In most fiction you’ll find the Jerk with a group of friends/peers/cohorts, and the first question that come to mind is why do they put up with the abuse that’s leveled at them from the Jerk. One  reason why people continue to stick around the Jerk is that he’s good at what he does, so good in fact that people are willing to or have to put up with the jerk to get things done. The most recent case of this is that come to mind House from the show… well you know. House is a jerk to everyone withing ten feet of him but the patients put up with because he can save their lives, his peers put up with him because he can see things that they miss and his boss puts up with him because of the unparalleled level of success he has. People deal with House because he’s skilled if not the most skilled at what he does, and readers and watchers can admire a jerk for his prowess even if they wouldn’t want to stand next to him on any given day of the week.

It’s never lupus

Humor

Humor is one of the best ways to endear a Jerk to his audience, shows like Big Bang Theory rely on the comedic affect of their Jerk to make him interesting. Sheldon Cooper may be just as brilliant as House but his brilliance has no ties to his group of friends outside of how much it annoys them, in fact most of the time the group tries to stay as far away from Sheldon as possible. No Sheldon’s a great character and great Jerk because of his lack of understanding or concern for human emotions. These lead to situations that while you wouldn’t personally want to be apart of, you can still take a moment to laugh at them. Just remember to have reason to keep your jerk in contact with the rest of the characters in your fiction, you don’t want your audience asking themselves why this guy is hanging around, or why the rest of the guys are hanging around him. Big Bang Theory tethers Sheldon and Leonard together by making them roommates, while Leonard could leave Sheldon he’d have to give up his home to do so, similar plot devices can be used to make your fiction more reasonable. The end goal here is to make your Jerk entertaining, whether that means wacky hi-jinks ensue or that he seems to be the only sane man left in the group, either you make the audience laugh with him or laugh at him.

morals

Most people like Jerks that turn out to be decent human beings, at least for a moment or so. The major point of making your Jerk secretly nice or at least not as jerkish, is that it adds character depth, it shows us and possibly the other characters in your fiction that there’s more here then what meets the eye. Brandon Sanderson does this particularly well with two notable major characters in his Mist Born series, the first is a thief that has the magic ability to manipulate peoples emotions, the Jerk uses his magic not only to steal things but also to manipulate his friends, colleges, servants and passersby to do as he wishes or collect things he’s to lazy to get himself. Being a manipulative Jerk is a core part of his personality, but it’s reveal in later parts of the series that he doesn’t just manipulate people to get what he wants, he manipulates people to calm them down in a tense situation, or to relax away a friends fear before they get on stage to talk, Sanderson shows his Jerk going out of his way to discretely make peoples live better. And while you don’t get to hear his thoughts on why he does this, you get to hear the thoughts of the other lead characters which act a surrogate for the audience allowing them to feel similar emotions towards the Jerk, Making an annoying individual into a much more likable character.

Interests

The most important thing about you Jerk is that he has to be interesting, much like any character in any piece of fiction, one of the worst sin your jerk can commit is being boring. A Jerk has an interesting position because he already sits outside of how people act in there day to day lives, he says and does things with no fear of social backlash.Not only that the Jerk can say and do the things that the rest of your characters can’t or won’t, he can point out the holes in your heroes plans and call your damsel in distress out on her love triangle non-sense and generally lampshape much of the drama that’s going on. Particularly savvy Jerks can see the what looks like a standard plot point and act to avoid it, or manipulate it for his own benefit, though if he’s not skilled he’s the one who can say “I told you so.” Your Jerk is most likely going to be an amalgam of the things stated much like any character worth his font, and it goes without saying that all the things you do make interesting, unique and believable character also applies to your Jerk, your jerk doesn’t have to be skilled jerk, he doesn’t have to be a funny jerk, he doesn’t have to be a jerk with a heart of gold, but he can’t just be a jerk jerk. Because at that point the character isn’t only boring, he’s also annoying and most folks already have enough annoying people they want to punch in the face in their day to day, don’t add your jerk to that list.

imageI’ve had enough of your disingenuiness assertions