Posts Tagged ‘Joffery Baratheon’

The last time I wrote a character focus it was about a villain you could respect, maybe even love. This time were going to focus on a much different kind of character, one who get’s slapped around by a dwarf, one who let’s his sword be stolen by a little girl, on who hides behind his mothers skirts. This weeks Character Focus presents none other than Joffrey Baratheon.


May the Others take him.

For those of you who don’t know, Joffery Baratheon is one of the major antagonist in George R.R. Martin’s A Song of Ice and Fire series,  for those of you who haven’t read the books I need to post some quite obvious spoiler warnings

spoilers Ahead

That ought to work, now down to business. Joff is signigficantly different then most  characters and even villains that you read about these days, mostly because he’s a intolerable twat. Most writer’s resources will tell you that your villains need to be deep and likable in one way or another, Joff however stands out as being as deep as dry lake bed and only being slightly well like more the AIDs and yet the character serves his purpose quite well and while I may never like Joff, I always have some sort of emotional response to his scenes, albeit it’s mostly hate, mixed with some disgust. So how do we emulate such response from our readers regarding our dastardly villains?

Threat: somebody is going to die

Martin is well know as an author who loses little sleep from killing beloved characters, and when Joffery takes center stage that threat becomes overbearing, When ever he has scene the tension jumps dramatically simply because of the characters reputation. In the TV show Game of Thrones, Joff has Ned Stark beheaded even though his mother and all of his councilors had planned to spare him. In the Show this is done in the middle of a courtyard, but in the books it’s done in the middle of a temple so that everybody got the idea that this was to be a pardoning not an execution. Joff made short work of that and the started off on his own blody rain of death and brutality.

plotting: The best laid plans…

Outside of fits of violence the boy king can be counted on to make bad decisions,  which act as boon to enemies and torment to his family. In book series like A Song of  Ice and Fire which follows characters from every side of the central conflict, you have to juggle success and failure vary carefully, because for evert victory a pov character has counts as failure on another, let one person grow to strong and the book becomes one sided. Joffery helps balance out the successes of his compatriots who normally wouldn’t make such foolish mistakes, and forces them to work around Joffery’s madness.

Foils: Making Men out of monsters

For those of you who aren’t in the know, a dramatic foil(just foil for short) is when a pair of characters are paired together to make there traits stand out, often done in a simple fashion to make strong characters look stronger and make smart characters to look smarter. However a foil can be used for far more the exemplifying simple traits, it can be used to muffle them as well  take Joffery’s loyal hound Sandor Clegane, who spends most of his time drinking, killing, and the drinking some more. Yet in moments when he, Sansa are together, the reader has to pause and really think about whether or not Sandor is all that bad of guy. Joff has a similar affect on everybody around him, by the nature of being the most monstrously hated character in the room, everybody else looks like better person for it.

 
“I may have started a war that killed million and committed acts of genocide, but at least I never laid a hand on Sansa Stark”- Hitler

Joffery is going to go down as one of the most hated characters in the history of American fiction, he’s craven, crule, incompotent, he’s everything that writers are told to avoid, but leave it to writer like Martin to pull off such a character in such a splendid fashion, and let it be reminder to other writers out there that at the end of the day, write the characters you want to write, write the characters you need to write and don’t let any other writer tell you otherwise even if that writing leads to little incestful balls of hatred and abomination so evil that Dalek wouldn’t touch it with a ten foot pole.